Art
Whimsical … crafty … creepy … “not traditionally pretty”: Mixed-media sculptor Gail Trunick assembles her uniquely affecting creations from the detritus of the world, finding humanoid shapes and stories in life’s neglected corners.
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“Dear Charles; The codices become more exciting every day. This one should be of special interest to you in that it fits in with some of your previous theories. Apparent translation is as follows … ”
So begins a scholarly missive from a researcher at work in the reaches of Patagonia.
In the urban interior, street art sprouts amid authoritarian architecture like weeds through cracks in concrete, parks and gardens grow wild around the artifacts and intent of designed landscapes, non-native palms are as exotic and meaningless as public-art abstractions. Yet their confluence is exactly where we live. These are digital captures of large-scale, double-exposed analogue […]
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What is the self but a fantastical amalgamation of ideas, inclinations and elements that nonetheless function, generally, as a complete whole? In a similar vein, David Goldberg’s self-portraits are improbable juxtapositions of animal, vegetable and mineral — but peculiarly coherent. Know anyone like that?
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In these images, photographer Peter Schwartz leaves the viewer with a sense of having just turned the corner onto a vista in which, moments earlier, something extraordinary happened. What displacement of mass caused the water’s rippling, rainbow sheen? Where did that array of symmetry and structure come from, obviously constructed, but unanchored to any comfortable […]
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